For a while now I’ve been planning on making a repository to store interesting pages from type specimen books that I come across during the day. And, more importantly, I wanted a place for visitors who use the Updike Collection to share their own images (we welcome researchers taking pictures of the materials they’re using when they visit). That site is now up and running: There are only a few images available at present, but expect many more in the future. And to celebrate, here’s the first post in an occasional series of ransom-note-style collages taken from images on the site:
Have you ever found yourself wishing for a printing press built to authentic nineteenth-century standards? Of course you have. And fortunately T.C. Hansard has anatomized the press and provided a detailed description of its parts, in his 1825 Typographia: An Historical Sketch of the Origin and Progress of the Art of Printing.
If you decide not to go all-out and build a press from the instructions, the wood engravings could be printed, cut out and used to build your own paper model of a press. Better yet, download a 3D modeling program, spend a few weekends and evenings creating models of each part, and then send them to a 3D printer. (Please send photos if you choose this route.)
In either case, here are the images:
if there’s one thing more frustrating than interesting manuscripts hiding away with no way for researchers to find them, it’s when those manuscripts are also being stored in acidic folders and boxes, slowly self-destructing.
That was the case with the Arnold Autograph Collection until Stephanie Knott, a library student at the University of Rhode Island, arrived at the beginning of this semester and set to work on the collection. The Arnold Autograph Collection is a miscellaneous group of about 150 manuscript items (not to be confused with this nasty kind of autograph collection). They focus mostly on Rhode Island history, going back all the way to the 1600s and including items relating to the American Revolution, a bill of sale for a slave, and the deed to a pew.
In addition to moving items to new acid-free folders and boxes and creating an online collection guide, Stephanie has scanned the entire collection, and created an online exhibition focusing on a dozen items. The collection as a whole should be online in 2014.
For over a year now, we’ve been offering a regular series of portraits of members of the book trade. Today’s post is a little different, because now we’re giving you access to hundreds of images of printers, booksellers, bookbinders, etc. through a new online resource: The Updike Collection Book Trade Portraits Database (beta).
This collection of over 500 portraits (of more than 250 members of the book trade) resides in four large binders in our Daniel Berkeley Updike Collection, and now it resides digitally online at http://www.pplspc.org/portraits . You can search and browse in a number of different ways, or just pick a random portrait and see who turns up. And you can get a printed broadside depicting some of the all-stars of the book world to hang on your wall if you so choose.
One important note: This is very much a work in progress, so there’s still a lot of proofreading and tweaking to do. Please send suggestions, or a note about the errors you’re inevitably going to come across to email@example.com.
Thanks to Rick Ring, Janaya Kizzie, Robin Camille Davis and Zachary Lewis, who began work on the project a long while back.
Since the weekly portrait series has been quiet recently, we’re offering two portraits today, both nautically themed.
1: “Lord Bateman”
2: The mailman
Alright, maybe not the actual mailman. But this letter-deliverer was intended to proudly decorate the bow of a 19th-century ship. The image comes from an amazing item in our Brownell Collection, the pattern book of a figurehead carver named R. Lee. You can read more about Lee in volume 2, issue 3 of Occasional Nuggets, but if you’d like to view the pattern book in it’s entirety, it’s now available online.
If the George Turner letters mentioned yesterday aren’t enough for you, you can now also read the text of a 19th-century whaler who abandoned his ship.
Back in February we had a visit from some Fulbright scholars who began the process of transcribing the Daniel Mowry letters in our Nicholson Whaling Manuscripts Collection. We haven’t yet had a chance to digitize the letters, but we wanted to make the transcriptions available, and you can now find the text of all of them on one page. These are some pretty illuminating letters telling a great story.