Today’s New York Times has a lovely article about the rare children’s books housed at the Library of Congress, 100 of which are now digitized and available online. (Intriguingly, the children’s book called The Cats’ Party that the article features is entirely different from the identically-titled book that we hold at PPL. We’re pleased to know that two different 19th century authors decided to pen books about feline festivities.)
Check out the Library of Congress’s digitized children’s books here.
Today’s blog post comes from PPL’s 2019 Creative Fellow Laura Brown-Lavoie, who offers us an update on her research and an opportunity to see her perform this weekend:
“Fun fact from the special collections today: 2 out of 3 special collections librarians hate desiccated rubber bands. (‘They are like dried out noodles.’ ‘Ugh.’ ‘Me? I don’t mind them.’) Anyway this is what a rubber band looks like when you leave it in a box of papers for a long time. In other news from special collections: I’ve been studying obscenity, coal of Rhode Island, and pilgrims, and I’m performing some of the poems this Saturday with my synth at the AS220 Mainstage in downtown Providence. Details about the show below, hope you can make it!”
You are invited to attend this special music performance at AS220
Those of you who read PPL’s Facebook have already heard, but we wanted to make it blog-official:
We’re pleased to announce the recipient of PPL’s 2018 Creative Fellowship–Becky Davis, an interdisciplinary artist living in Wakefield, RI. You can see some of her past work and read her artist’s statement on her website. We love the ways in which history informs her work, which is intelligent, challenging, and accessible.
During her Fellowship, Becky will create new work related to the topic of hair as part of our 2018 HairBrained exhibition and program series. We think she has a lot to add to the conversation, and are extremely excited to see what she creates!
This week we’re happy to feature the first Spanish-speaking magician that we’ve found among the pages of our Percival Collection: O’Justinaini, who performed in the American southwest in the early 1920s.
This sensational illustrated border graces the cover of numerous 1920-1921 issues of The Magical Bulletin, complete with stretching owl, spooky eyes, snakes whispering into a skull’s ears external acoustic meatus, and doves in a column of art deco smoke.
As for the improbably-named O’Justinaini, his performances were in great demand in Arizona, New Mexico, and southern California. The Magical Bulletin continues: “a polished gentleman, and a gifted performer, his show consists of high class magic, illusions, and the ever popular crystal gazing and mind reading mysteries, in the performance of which he is ably assisted by his brother, who is also a most talented artist.”
This is a long overdue post about a terrific gift we received in early January.
Big thanks to Akira Yoshino and Taro Yumiba (and others) who sent in a cache of great 20th-century Japanese type specimen books and ephemera. If you’re interested in taking a look, stop in during our open hours, or set up an appointment to visit.