It’s been far too long since we’ve introduced a Magician of the Week, so today we bring you both a featured magician AND a featured ventriloquist’s dummy.
Here we see Max Terhune (whose stage character Hammo the Great was actually a previous Magician of the Week), alongside his high-kneed and tiny-footed dummy, Skully, in a photo from the April 1937 issue of Genii. (According to IMDb, this is actually the same dummy that shared a saddle with Terhune in his role as Lullaby Joslin in The Three Mesquiteers; during their Orpheum Circuit days, the dummy was named Skully Null, but once they became movie stars, the dummy was renamed Elmer Sneezeweed.)
Can’t get enough of Max Terhune? Let me suggest the 1936 public domain film The Big Show, a musical western in which Terhune appears as a ventriloquist. You can download it for free from the Internet Archive!
Can’t get enough of Elmer Sneezeweed? An original backup copy is on view at the Vent Haven Museum at 33 West Maple Avenue in Fort Haven, Kentucky. (If any of you visit said museum, we would LOVE a report-back.)
This week’s featured magician isn’t technically a magician, but rather a magician’s most classic, well-loved, time-honored sidekick: the rabbit.
There’s a bit of debate about the first magician to pull a rabbit from a hat–some say it was Louis Comte, in 1814, while others claim it was John Henry Anderson, “The Great Wizard of the North”. Either way, rabbits in hats have become synonymous with stage magic, as evidenced by the expressively-eyebrowed fellow above.
Today’s featured rabbits span decades, but all are taken from various covers of Ireland’s Magic Company Yearbook. We made a rabbit-y collage to showcase some of these soft sidekicks!
You can find issues of Ireland’s Magic Company Yearbook, along with innumerable other rabbit illustrations, in our John H. Percival Collection on Magic.
This week we’re happy to feature the first Spanish-speaking magician that we’ve found among the pages of our Percival Collection: O’Justinaini, who performed in the American southwest in the early 1920s.
This sensational illustrated border graces the cover of numerous 1920-1921 issues of The Magical Bulletin, complete with stretching owl, spooky eyes, snakes whispering into a skull’s
ears external acoustic meatus, and doves in a column of art deco smoke.
As for the improbably-named O’Justinaini, his performances were in great demand in Arizona, New Mexico, and southern California. The Magical Bulletin continues: “a polished gentleman, and a gifted performer, his show consists of high class magic, illusions, and the ever popular crystal gazing and mind reading mysteries, in the performance of which he is ably assisted by his brother, who is also a most talented artist.”
Today’s featured magician is a true classic, both entertaining and mystifying. He wears a heavy cape and a hat, never appearing in public without them; he appears without warning, generally in the dark of night; he defies gravity and other earthly limitations; he charms large animals, who heed his command; and in the manner of enigmatic magicians and stylish wizards everywhere, he wears his beard long.
Ah, yes! Ho, ho, ho. I especially like the trick above where he seems to have made five tiny macarons appear inside a gift box. Thanks, magic Santa!
We’ve begun to notice a mephitis mephitis trend in mid-century stage magic. Perhaps you recall Sgt. Phil Jay and his trained skunk, or the skunk in John Levy’s magical menagerie. Here’s another spellbinding skunk, this one being pulled from a red velvet change bag by magician Robert (Bob) Hardie:
Hardie explains his maneuver like so:
The effect is that the magician or emcee comes forward with a huge red velvet change-bag — shows it empty and proceeds to extract a large number of silks, etc. from it, while at the same time reciting a poem, and finally ending with the production of a skunk.
Image and description are from the September 1956 issue of The Linking Ring.
It’s Tuesday, so we’re currently having open hours, featuring some beautiful floral pochoir prints by Edouard Benedictus and the classic Flowers in Nature and Design by Fritzi Brod. (The latter features layered transparencies showing the color separations for various floral motifs.)
For those of you who can’t make it over in person, we also have a virtual featured magician from our Percival Collection: Brian Mainwaring, “The Gentleman From London.”
Here’s Mainwaring gleefully sawing a woman in half while his lovely assistant takes said woman’s pulse. (Isn’t it always reassuring to get medical support from someone in opera-length gloves? They just look so… chic yet authoritative.) The image above is from the souvenir program of the Twentieth Annual New England Convention of Magicians, held in 1958 in New Haven, Connecticut.
Mainwaring was born outside of London, attended Naval Military School, and spent time living in India. After marrying Christine Sanders, he settled in Bridgeport, Connecticut. He doesn’t seem to have left much of a paper trail, although I did find him listed as entertainment in a fantastic newspaper article with the headline “5 Santas to Greet Trumbull Kids”. Five santas! How extravagant!
This week’s magician, mentalist Carina (assisted by George Allston), is hailed as “bewildering!”, “amazing!”, “intriguing!”, and “new and different!”.
Here she is, blasting forth from somewhere in the midwestern U.S., all without losing her composure or the thing tossed artfully over her shoulder:
I really like that the newspaper nameplates/ mastheads are arranged roughly geographically.
This promotional flyer, from our John H. Percival Collection, indicates that the Allstons hailed from Boston, although I can’t find any further information about them online. Do you know more about Carina and her assistant? Let us know!