On Monday evening we celebrated student type design with four talented finalists for our Updike Prize for Student Type Design. Here they are (with typeface names in italics):
June Shin, Ithaka (First Prize)
SooHee Cho, The Black Cat
Cem Eskinazi, Mond
Íñigo López Vázquez, Erik Text
If you didn’t get a chance to attend the event on Monday you can still see examples of the students’ work on display in our third floor exhibition area.
And if you’re an aspiring student type designer, it’s never too soon to start working on your entry for the 2017 prize. Contact us or stop in to ask about the contest.
Thanks to our sponsors, Paperworks, for making the prize possible. And thanks as well to Fiona Ross, this year’s guest speaker, who enlightened our audience on the topic of non-Latin type design.
I’m excited to announce that our speaker for the next Updike Award Ceremony will be Fiona Ross. Dr. Ross will be visiting us from the University of Reading
, and she’ll be discussing her work on non-Latin alphabets.
Fiona Ross is a pioneer in the field, beginning with over a decade at the helm of Linotype’s non-Latin font division. She recently received the Society of Typographic Aficionados’ Typography Award
, among other honors.Dr. Ross’s lecture will take place as part of the ceremony to celebrate the finalists of our Updike Prize for Student Typography
. The event, which will be accompanied by an exhibition of materials from our Updike Collection, begins at 5:30 PM on Monday, October 17th
at the Providence Public Library.The event is free, but we request that anyone interested in attending RSVP at:
(Thanks to our fantastic sponsors, Paperworks!)
This is a long overdue post about a terrific gift we received in early January.
Big thanks to Akira Yoshino and Taro Yumiba (and others) who sent in a cache of great 20th-century Japanese type specimen books and ephemera. If you’re interested in taking a look, stop in during our open hours, or set up an appointment to visit.
We’re hard at work on our spring exhibition and event series, “Portals: The History of the Future,” and in the process we’ve been coming across books, movies, and other stuff that gets us in the Portals spirit. So we decided to share some suggested reading (and listening, and watching…) here. We’re also going to post this (and update it) on the Portals website, which should be live soon.
Portals: Recommended Reading (And Watching, and Listening)
- William Gibson, “The Gernsback Continuum” (1981). Available in the collection Burning Chrome. Ocean State Libraries (Text can also be found online.)
- Wikipedia entry for Charles Piazzi Smyth, particularly the “Pyramidological researches” section. For a sense of the range of schemes proposed during the debate over unified time.
- Edmund Arthur Engler, “Time-Keeping in Paris,” Popular Science Monthly, vol. 20 (1882). Online
- Paul J. Nahin, Time Machines: Time Travel in Physics, Metaphysics, and Science Fiction (New York: Springer-Verlag, 1999). For the nitty-gritty details of how to keep your time machine in working order. WorldCat
- I.F. Clarke, The Pattern of Expectation, 1644-2001 (New York: Basic Books, 1979). WorldCat
- Joseph J. Corn & Brian Horrigan, Yesterday’s Tomorrows: Past Visions of the American Future (Baltimore: Johns Hopkins University Press, 1996). Ocean State Libraries
- Peter Galison, Einstein’s Clocks, Poincare’s Maps: Empires of Time (New York: W.W. Norton: 2003). PPL
- Emily St. John Mandel, Station Eleven (New York: Alfred A. Knopf, 2014). PPL
- Sun Ra Arkestra – The Futuristic Sounds of Sun Ra
- Joseph Haydn – Il Mondo della Luna
- Joe Meek – I Hear a New World
- Bjork – Biophilia
Film & Television
This is just a quick note to help you plan your calendar for the upcoming year, especially if you’re someone who plans way ahead. We just crowned our first Updike Prize winner this past February (congrats, Sandra!), and it was a great event, with a terrific lecture by Tobias Frere-Jones. But one thing we learned in the process is that February in New England is a month best left to hunkering down with warm beverages and hoping for spring.
That’s why we’re moving the Updike celebration to October from now on. Not this October, though: October 2016 will be our next date. That also means that students working on their typefaces have a bit of extra time to do their work. The new deadline is now September 16th.
And there’s one more change: We’re now doubling the size of first prize to $500! So get to work and plan your visits to use the collection. (As a reminder, we have open hours, no appointment needed, on Tuesdays from 10-1pm and Wednesdays from 3-7pm.)
And now, for no particular reason, here’s a picture of some folks from an 1886 German type specimen book:
Remember this guy?:
It’s been a year and a half since we celebrated Giambattista Bodoni and the 200th anniversary of his death. In all those years, no one has written a full-length English biography of the great printer and type designer – until now.
Join us at 6:00pm on Wednesday, October 7th for a lecture by Valerie Lester, whose biography of Bodoni is being published this month. Copies of the book will be available for purchase, and refreshments will be served. We’ll also have a selection of items from our collections of Bodoniana on display.
It’s a pleasure to announce that Sandra Carrera is the first ever winner of the Updike Prize for Student Type Design!
You may have noticed that the trophy is also a fully-functional composing stick. We had a great evening with a lecture from Tobias Frere-Jones last Thursday, but if you missed it you can still visit the level 3 gallery cases to take a look at the type specimens of our four finalists:
Sandra Carrera, Picara (First Prize)
Chae Hun Kim, Hodoo
Prin Limphongpand, Rizvele (Runner-Up)
Yeon Hak Ryoo, Tranche
The specimens will be on display, with items from the Updike Collection that influenced the type design, until March 19th. Kudos to all four finalists who did a great job!
Picara, the winning typeface, was influenced by a type specimen published sometime in the 1770s by Antonio Espinosa, and we’re happy to announce that we’ve made the book available in its entirety online:
If you’re a student interested in type design, don’t forget that the 2016 competition starts now! Stop in to work with the collection or just learn more about it and the rules for the prize.
And if you want to be notified about next year’s Updike Prize ceremony, stay tuned to this blog, or send us your email address to be added to our mailing list.