Bad Children of History: The Exhibit!

If you like this blog’s Bad Children of History, you’ll LOVE the Library’s new exhibit… of Bad Children of History!

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It’s true: the exhibit cases in the Rhode Island Room on the first floor of the Library are currently featuring all manner of ill-behaved, 19th- and 20th-century children, including greatest hits from the blog alongside some never-before-seen mischief-makers.

These misbehaving moppets are only on display through September 23rd, so hurry on over to see them before they’re gone!

Bad Children of History #27: George Graceless

Oh hooray, it’s time for another installment of Bad Children of History! Today’s bad child is culled from a book with a true emotional rollercoaster of a title:

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Melancholy! Intrigue! Danger! A little white horse! This wee book is undated, but was probably printed around 1820.

As the saga unfolds, the reader is introduced to good children with names like Kitty Kindness, Billy Meanwell, Sammy Sober, Bobby Bright, and Tommy Telltruth. (King Pippin himself is actually Peter Pippin, the King of the Good Boys.) YAWN.

The tension builds as we meet a gaggle of ne’er-do-wells with equally alliterative and terrible names such as Harry Harmless, George Graceless, and Tom Tiger.

It’s clear that trouble is brewing when the bell rings to return to school, the Good Boys race to see who can get to the schoolhouse first, and the Wicked Boys stroll into the woods with the express purpose of destroying birds’ nests.

After tearing down innumerable nests, including that of a robin who was left “making such piteous moans, as would have melted a heart of stone”, George Graceless scales a “great high tree” to reach the nest of a turtle dove. What happens to a wicked boy who climbs a great high tree?

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You guessed it! He plunges head-first into a narrow but apparently very deep river while one friend reaches out a tentative finger and another takes a picture with his iPhone!

Oh save me, save me, I shall be drowned; oh, that I had attended to the good advice of Little King Pippin, cried he, and with these words, down he went to the bottom, and was never seen more; the rest of his companions began now to see the folly and wickedness of neglecting their books for idle mischief; and heartily repented that they had not staid at school instead of playing truant.

Now, I don’t know about you, but when I heartily repent, I usually head back out of the woods, but this questionable quartet is filled with dread and decides to “stroll about” until it becomes “quite dark”. (Cue scary violin music!)

They fall asleep under some bushes, which seems like a good idea, until:

in less than an hour, they were awakened with such terrible howlings of wild beasts as was scarce ever heard, tigers, wolves, and lions, hunting for their prey, with eyes that glared like balls of fire, rushed by them every instant.

Amidst this impressive biodiversity, Harry Harmless falls to his knees to pray, whilst his companions, who have never even bothered to learn any prayers, are quickly devoured by two monstrous lions.

Not that the title gave it away or anything, but the next morning, a pretty little white horse awakes Harry Harmless with her neighs. He climbs into her mysteriously unpopulated saddle and is promptly delivered to his home.

Magician of the Week #44: Brian Mainwaring

It’s Tuesday, so we’re currently having open hours, featuring some beautiful floral pochoir prints by Edouard Benedictus and the classic Flowers in Nature and Design by Fritzi Brod. (The latter features layered transparencies showing the color separations for various floral motifs.)

For those of you who can’t make it over in person, we also have a virtual featured magician from our Percival Collection: Brian Mainwaring, “The Gentleman From London.”

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Here’s Mainwaring gleefully sawing a woman in half while his lovely assistant takes said woman’s pulse. (Isn’t it always reassuring to get medical support from someone in opera-length gloves? They just look so… chic yet authoritative.) The image above is from the souvenir program of the Twentieth Annual New England Convention of Magicians, held in 1958 in New Haven, Connecticut.

Mainwaring was born outside of London, attended Naval Military School, and spent time living in India. After marrying Christine Sanders, he settled in Bridgeport, Connecticut. He doesn’t seem to have left much of a paper trail, although I did find him listed as entertainment in a fantastic newspaper article with the headline “5 Santas to Greet Trumbull Kids”. Five santas! How extravagant!

 

Magician of the Week #43: Carina Allston

This week’s magician, mentalist Carina (assisted by George Allston), is hailed as “bewildering!”, “amazing!”, “intriguing!”, and “new and different!”.

Here she is, blasting forth from somewhere in the midwestern U.S., all without losing her composure or the thing tossed artfully over her shoulder:

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I really like that the newspaper nameplates/ mastheads are arranged roughly geographically.

This promotional flyer, from our John H. Percival Collection, indicates that the Allstons hailed from Boston, although I can’t find any further information about them online. Do you know more about Carina and her assistant? Let us know!

Bad Children of History #26: Naughty Newsboys

Our latest bad children of history, from Ned Nevins, the News-boy; or, Street Life in Boston (1867), have instigated a snow ball riot, pelting unfortunate adults before the police arrive to calm the fray.

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The accompanying text is terrific:

Now some ladies and gentlemen pass the crowd to enter the building; when, plump, plump, plump, the snowballs strike against the door before them, and dash into their faces. “Oh dear! they are killing me; I am all covered with snow; open the door, let me in; I shall die!” cries one lady, leading half a dozen others, who are muttering the same complaint. “Oh the rascals! they ought to be hung,” cries another: “they have spoiled my new bonnet.” Still another, “Oh dear! the snow is running down my neck. Oh! my bosom is full of snow.”

Lest one fear that author Henry Morgan, P.M.P. (Poor Man’s Preacher) reserved all of his contempt for the haughty upper classes, he immediately begins a (fictional-version-of-him)self-congratulatory screed about the problems of immigrants.

Rev. R. C. Waterston rose to speak. He started night schools in Boston, thirty years ago. What a change in thirty years! Whole streets and neighborhoods have given way to the foreign population; ancient land-marks are fast disappearing; Puritanism is becoming a thing of the past. America’s destiny rests on the tide-wave of foreign immigration: the problem of her future is involved in these boys. Now is the time to solve the question,–shall they overwhelm us? or shall we Americanize them?

Most of them are Catholics, averse to free schools and American ideas. Puritan principles are an offence unto them: their watchword is, “Papacy and Democracy.”

How… complicated. Who was this poor man’s preacher with such a deep commitment to immigrants and such a strong disdain for Catholicism?

Henry Morgan, according to my research, was a well-known preacher and social reformer. After the Methodist Church repeatedly refused to approve him for ordination, he moved to Boston in 1859, where he created his own denomination and began preaching in the Boston Music Hall. Morgan was soon drawing crowds with his powerful and theatrical oration. By May of that year, he had founded the Boston Union Mission Society in the South End, offering night classes to newsboys who couldn’t attend school during the day.

Based on his experiences preaching to and teaching Boston’s working immigrants, Morgan wrote Ned Nevins, the News Boy: or, Street Life in Boston in 1867. The book was so popular that it went through four editions in the months after its first publication. (You can find a scathingly sarcastic review, including such gems as “There is no ignorance in Boston. Everybody knows something about everything, there are a good many who know everything about something, and a few of the very first chop who know everything about everything” in The Round Table no. 140 from September 28, 1867. It’s truly superb. “We are puzzled to conceive how one would go about flattering a Bostonian.”)

You can read more about Henry Morgan in Benjamin Hartley’s book Evangelicals at a Crossroads: Revivalism and Social Reform in Boston, 1860-1910.

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If you’re stumped for a topic for an academic paper, may I suggest a critical analysis of the post-snowball-riot chapter in this book entitled “Creatures in the Coal-Dump”? In this chapter, Ned goes coal-picking at the dump to repay the kindness of a woman who cared for him while he was sick. A rich woman’s African American “contraband cook”, seeking Ned, finds him here among “vagrants [who] are among the lowest classes of mamifferous species… the lowest, debased, most abject specimens of depraved humanity that ever swept on the tide-wave of foreign emigration.” (No, Henry Morgan, tell us what you really think!)

The cook, Dinah, complains that the trash-pickers are able-bodied and ought to find jobs, for slaves have enough self-respect not to do such degrading and dirty work.

“See that udder woman, scratchin’ and pawin’ in de dirt, just as if she lubbed it. Show me a slabe dat would do dat, heh? See dat great strong man, dat great lazy lubber! what he do here? Why ain’t he to work? He could earn a heap ob money. He be right in de prime ob life; an’ dar he be pickin’ leetle bits ob coal… if a nigger down Souf be idle an’ lazy like dese folks, massa sell him to de fust buyer.”

I couldn’t begin to untangle the complex logic, societal values, loaded attitudes, and Reconstruction-era politics that are at work in this mind-boggling chapter, but I do encourage readers to seek it out in its entirety on the Internet Archive or by visiting us in person.

 

 

Now on Exhibit: Portals art!

While the Portals exhibition (February – June 2016) showcased historical items describing imagined futures, local artists were hard at work researching in Special Collections and creating derivative art, both through programming at the library and in their own studios.

We’re lucky to have our exhibit cases jam-packed with selections of this Portals art, on view at the library now through August 15th!

Left to right: miniature dress and headdress created by teens in RISD CE fashion classes at the library; 18th century French funeral invitation from the Barrois Collection of Funeral Invitations, alongside a candle by Burke & Hare Co.; drafts, color separations, and layout notes from the Special Collections-themed issue of The Providence Sunday Wipeout.

The exhibit includes illustrations, song lyrics, candles, comics, letterpress prints, short stories, headdresses, and clothing designs by Rhode Island artists including Walker Mettling, Mickey Zacchilli, Brian Whitney, Dan Wood, Caitlin Cali, Guy-Maly Pierre, Dailen Williams, Jim Frain, Joe DeGeorge, Veronica Santos, Burke & Hare Co., Jeremy Ferris, Keegan Bonds-Harmon, and many teen fashion designers.

New creative works are displayed alongside the historical items that inspired them, including Maukisch’s Das Jagen, Fangen, Zähmen und Abrichten der Thiere (1837), The Necropolis of Ancón in Peru (circa 1880), design classic The Grammar of Ornament (1856), Academie Universelle des Jeux (1824) (from the Haynes Checkers Collection), Rational Recreations (1794), and other gems from the stacks.

Some of these artists’ original items are available for sale. (The library doesn’t receive any proceeds from these sales, but we are thrilled to support local businesses and Rhode Island artists!) You can purchase Burke & Hare Co’s Horace B. Knowles candle here, or their Repose en Paix candle here. To get a copy of the Special Collections-themed issue of The Providence Sunday Wipeout comics newspaper, visit Ada Books in Providence or contact Special Collections!

A Recap of Future Bummers

It’s been more than a week, but we’re still basking in the hilarity and creativity of our 2016 Creative Fellow Walker Mettling’s library story night, “A History of Future Bummers“.

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Jeremy Ferris performs a clam-centric ritual in front of his projected illustration. The drawing is based on historical photos of clambakes in the Rhode Island Collection.

During the month of May, Walker asked a number of local artists, writers, and musicians to visit Special Collections, each armed with a research assignment. They then were asked to write a story or create a comic based on their research.

Dailen Williams, Alexander Smith, and Veronica Santos (l-r) share their stories on stage.

These artists’ various creations were showcased at the resulting “A History of Future Bummers.” Writers including Caitlin Cali, Veronica Santos, Dailen Williams, Alexander Smith, Jim Frain, Jeremy Ferris, Keegan Bonds-Harmon, William Keller, and Julia Gualtieri shared their stories, punctuated by musical interludes from Joe DeGeorge. (You can listen to Joe’s sketch demos of these library-based songs here, here, and here. The last one is based on entries about vandalism in our Rhode Island index card catalog!)

Providence Sunday Wipeout cover; “Faces of Narragansett Bay” by Walker Mettling; huge and colorful illustration by Aaron Demuth (clockwise from top left)

The evening also marked the official release of a new, Special Collections-themed issue of the Providence Sunday Wipeout comics newspaper. WOW! Lots of familiar historical items, local lore, and strange tales appeared in illustrated format in this VERY large format publication.

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Walker printed the paper in color on a risograph, and a small army of intrepid volunteers taped and folded pages. Thanks to all for their hard work and for a hilarious and highly entertaining evening!

(Stay tuned for more info about seeing drafts and originals of these awesome creations live and in person!)